<h1>Robert A. Heinlein</h1>						
<p>Robert A. Heinlein was the author who many people claim kicked off the Golden Age, though that can be the subject of many a barroom argument. E.E. “Doc” Smith was already an established writer by this time, and A.E. van Vogt was contemporaneous with Heinlein. But Heinlein managed to outshine everyone in very short order. He was widely known as “The Dean of Science Fiction Writers,” which testifies to his stature in the community, and along with Arthur C. Clarke and Isaac Asimov he was one of the Big Three of the Golden Age. He was the first person to be named a Science Fiction Grand Master in 1974. Four of his novels won Hugo Awards (<em>Double Star</em>, <em>Starship Troopers</em>, <em>Stranger in a Strange Land</em>, and <em>The Moon is a Harsh Mistress</em>), and 7 more works were given Retro-Hugo awards, which are awarded for works that were written before the Hugos were established. He also had many more works nominated for both awards, as well as many other awards like Nebula Awards. In short, he was a big deal to the science fiction community at large, and to me personally. I was, for a short time, managing the web site for The Heinlein Society, and I have read every work of his that I am aware of.</p>
<h2>Heinlein Background</h2>
<p>Robert Anson Heinlein was born in 1907 in Butler, Missouri, and grew up in Kansas City, Missouri, which he described as the middle of the Bible Belt, and this background is reflected in some of his stories, particularly the later ones. His family tradition had it that the Heinlein’s had fought in every American war beginning with the War of Independence, and Robert and his brothers all joined the armed forces. Robert lied about his age when he was 16 in order to enlist in the Missouri National Guard, and a few years later obtained an appointment to the Naval Academy, graduating in 1929 with the equivalent of a bachelors degree in engineering (the Naval Academy did not award degrees at the time). His engineering background is very apparent in his writings. He served on several ships, rising to the rank of Lieutenant, before being discharged in 1934 due to pulmonary tuberculosis. It seems likely that if he did not contract this illness he would have continued his career in the Navy, and with World War II coming, well, who knows what might have happened. But he did get ill, and had to find things to do. He notably got involved with Upton Sinclair’s socialist organization EPIC (End Poverty in California). He ran for office unsuccessfully, running as a left-Democrat in a conservative district. And while he had a disability pension from the Navy, he turned to writing to pay off his mortgage.</p>
<h2>Heinlein’s Writing</h2>
<p>Heinlein was originally known as a “hard” science fiction writer, meaning one who puts plausible and accurate science at the heart of the story. But looking at his entire career, he was equally comfortable writing fantasy, though not the faux medieval kind that many writers. In fact, he coined the term “speculative fiction” to describe the kind of stories he wrote. And if he wanted to he was quite capable of mixing the hard science and the fantasy, particularly in his later novels. And his output was very substantial. Asimov wrote more than Heinlein, but Heinlein stuck to fiction, while Asimov wrote in a variety of fields, so Heinlein’s output in the general area of science fiction/fantasy is the greater. And he is known for works of all lengths from short stories to novels. A useful guide to his works is the book <a href="https://www.amazon.com/Robert-Heinlein-Readers-Companion/dp/0967987407" data-type="link" data-id="https://www.amazon.com/Robert-Heinlein-Readers-Companion/dp/0967987407"><em>Robert A. Heinlein: A Reader’s Companion</em>, by James Gifford</a>. This book covers all of his science fiction/fantasy works known as of 2000, and gives additional information about the writing and circumstances of the stories. But in 2003 an early work was discovered and published. It was a novel called <em><a href="https://www.amazon.com/Us-Living-Comedy-Customs/dp/074325998X/ref=tmm_hrd_swatch_0" data-type="link" data-id="https://www.amazon.com/Us-Living-Comedy-Customs/dp/074325998X/ref=tmm_hrd_swatch_0">For Us The Living</a></em>, and while you can see the germ of Heinlein’s style in this novel, it is also a very early work written in 1938 and is not one of his best. He would get a lot better than this. In any case, it was not published at the time, and is mostly of interest to Heinlein superfans or scholars.</p>
<p>Heinlein got his real start in 1939 with a short story called <em>Life-line</em>, which was published in John W. Campbell’s <em>Astounding</em> magazine. Isaac Asimov had published a few stories by this time, and his first for John W. Campbell’s <em>Astounding</em> was in the previous month, July 1939, so as you can see this was a very fertile time in the development of the genre. Heinlein’s story was about a scientist who developed a technology to predict a person’s time of death. This totally threatens the insurance industry, and one of the CEO’s put out hit on the scientist, which he of course already knows about having tested himself. This is not the best short story, but it was quite competent, and John W. Campbell immediately asked for more.</p>
<p>More short stories followed. In the November 1939 issue of Astounding the story<em> Misfit</em> appeared. It introduces the character of Andrew Jackson “Slipstick” Libby, a young man with little education but a great ability to do mathematics in his head. And his ability turns out to be just what is needed during a construction project in space when things go wrong. And in 1940 he had 9 more stories published. And at this point he faced a problem. He was becoming so prolific that for a number of reasons he had to employ pseudonyms for some of his stories. One reason was that he couldn’t have too many stories in one magazine in his name, it made the editor look bad. In any case all of the stories are now published under Heinlein’s name. And of the 9 stories, 6 were either nominated for or won Retro Hugo awards, and several also won Prometheus Hall of Fame Awards, for the best libertarian or anti-authoritarian works. So you can see that his was a talent that exploded on the scene, so that you could legitimately divide the science fiction history into pre-Heinlein and post-Heinlein periods.</p>
<p>11 more stories of various lengths followed in 1941, and 5 in 1942. There were mostly short stories, but a few novellas and novelettes appeared. But he was really a short fiction writer at this time, and there are some extraordinary stories in this group. He was the most successful writer of speculative fiction of the time, and passed along some advice to anyone who wanted to be a successful writer.</p>
<h2>Heinlein’s Rules of Writing</h2>
<p>Because he was so successful, it should come as no surprise that aspiring writers frequently wrote to him for advice, and in response he formulated his Rules of Writing. This is taken from his <a href="https://en.wikipedia.org/wiki/On_the_Writing_of_Speculative_Fiction" data-type="link" data-id="https://en.wikipedia.org/wiki/On_the_Writing_of_Speculative_Fiction">On The Writing of Speculative Fiction</a> :</p>
<ol>
<li>You must write.</li>
<li>Finish what you start.</li>
<li>You must refrain from rewriting, except to editorial order.</li>
<li>You must put your story on the market.</li>
<li>You must keep it on the market until it has sold.</li>
</ol>
<p>He goes on to say in this article : “The above five rules really have more to do with how to write speculative fiction than anything said above them. But they are amazingly hard to follow—which is why there are so few professional writers and so many aspirants, and which is why I am not afraid to give away the racket!”</p>
<p>This is very good advice, but as Heinlein points out his rules are indeed hard to follow. For example, Rule #1: You must write. Many people want to be a writer, but not as many really want to write, and there is a very distinct difference. Just as many people want to be a rock star, but don’t want to spend years dead broke playing in dive bars to get there.</p>
<p>But it is also fair to point out that Heinlein was a rare talent, and I doubt if simply following his rules would make anyone else a similar success. They are good rules, no doubt, but Heinlein was already very familiar with and well-read in the field before he started writing. </p>
<p>That finishes this particular exploration of where Heinlein came from and how be began his career. And since it all started with short fiction, I next want to focus on that. beginning with his Future History.</p>
<p>This starts our look at the works of Robert A. Heinlein, the third of the Big Three authors of the Golden Age.</p>
<h3 id="links">Links:</h3>
<ul>
<li><a href="https://en.wikipedia.org/wiki/Robert_A._Heinlein">https://en.wikipedia.org/wiki/Robert_A._Heinlein</a></li>
<li><a href="https://www.amazon.com/Robert-Heinlein-Readers-Companion/dp/0967987407">https://www.amazon.com/Robert-Heinlein-Readers-Companion/dp/0967987407</a></li>
<li><a href="https://www.amazon.com/Us-Living-Comedy-Customs/dp/074325998X/ref=tmm_hrd_swatch_0">https://www.amazon.com/Us-Living-Comedy-Customs/dp/074325998X/ref=tmm_hrd_swatch_0</a></li>
<li><a href="https://en.wikipedia.org/wiki/On_the_Writing_of_Speculative_Fiction">https://en.wikipedia.org/wiki/On_the_Writing_of_Speculative_Fiction</a></li>
<li><a href="https://www.palain.com/science-fiction/the-golden-age/robert-a-heinlein/">https://www.palain.com/science-fiction/the-golden-age/robert-a-heinlein/</a></li>
</ul>